The furious markings of Marc-Antoine Nadeau are those of an artist intent on seizing all that comes under his purview that is deemed worthy and rendering what he sees incandescent and instantly recognizable – and unavoidably human. The sea has many voices,Ĭonvoy on the North Atlantic 1944 (2013) mixed media on wood (12'' x 15'') The more delicate algae and the sea anemone.Īnd the gear of foreign dead men. The pools where it offers to our curiosity The starfish, the horseshoe crab, the whale's backbone Into which it reaches, the beaches where it tosses The sea is the land's edge also, the granite The river is within us, the sea is all about us “River that must turn full after I stop dying” JEAN SIBELIUS: Christmas Song.Cargo (2016) mixed medium on aluminium (7.5'' x 8''). LEON ROQUES: 3 Noëls: Une vaine crainte Noël pour l’amour de Marie NoÎl Provencal –Marc Dubugnon (1953 Kuhn/Church of Saint Martin, Vevey, Switzerland) Gallo CD-830 Mary the Virgin Episcopal, New York, NY) Gothic G49007ĪNDRÉ CAMPRA: Kyrie, from Messe du jour de Noël, with improvised verses by Marcel Peres –Ensemble Organum Marcel Peres ( 1739 Clicquot 1972 Boisseau/Église Saint-Jacques-Saint-Christophe de Houdan, France) Harmonia Mundi CD-901480 MARC-ANTOINE CHARPENTIER: Kyrie, from Messe de minuit pour Noël, with organ verses by Corrette and LeBegue –The Virgin Consort Kyler Brown, conductor & organ ( 1932 Aeolian-Skinner/St. Michael Church, Vielha, Spain) Fonoteca Musica Series 4, Volume 1 PYOTR TCHAIKOVSKY ( transcribed by John): The Nutcracker Suite: Overture Dance of the Mirlitons March, Dance of the Sugar-Plum Fairy Chinese Dance Arab Dance Russian Dance –Keith John ( 1992 Klais/Hallgrimskirkja, Reykjavik, Iceland) Priory PRCD532ĪNONYMOUS Spanish 18th century: Dance Suite, from Pastorale Mass of Saint John of the Abbesses: Offertory for Clarions Leaping If we shan’t change our ways What shall we give to this mother’s child Corrandes – Montserrat Torrent (1778 Vicens/St.
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